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Andis Applewhite

Showing posts with label andisapplewhite. Show all posts
Showing posts with label andisapplewhite. Show all posts

Tuesday, September 18, 2018

Still18.1 2018


Still18.1 from Andis Applewhite on Vimeo.
Posted by Andis Applewhite at 5:25 PM 2 comments:
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Labels: andisapplewhite, lonestar, meditations, StillVideo

Thursday, August 9, 2018

Artist Talk at Impressions 2018 - July 12, 2018

https://edutube.hccs.edu/media/Andis+Applewhite+Artist+Talk+%7C+PrintMatters+Exhibition/0_t377x9jj/37816672
Posted by Andis Applewhite at 5:17 PM No comments:
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Labels: andisapplewhite, monoprint, monotype, printmatters, screenprint, silkscreen

Tuesday, July 11, 2017

Virgin of Guadalupe, 9" x 5.75", Woodcut Print, Mulberry or Kitakata, Pencil Signed/Dated $50 (Free Shipping)


Posted by Andis Applewhite at 10:15 PM No comments:
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Labels: andisapplewhite, houston texas, japanese paper, mulberry, print, printmaking, woodcut, woodcut print, works on paper
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MY WEBSITES

  • https://www.linkedin.com/in/andis-applewhite-86132215/
  • https://www.instagram.com/art_andistx/
  • https://applewhitephotography.blogspot.com/

Email

andisapplewhite@gmail.com

WHAT IS A PRINT?

In 1964 the Print Council of America defined an original print as follows:
"An original print is a work of art, the general requirements of which are: (1) The artist alone has created the master image in or upon the plate, stone, wood block or other material for the purpose of creating a print. (2) The print is made directly from the said material, by the artist or pursuant to his direction. (3) The finished print is approved by the artist. 
When an artist makes a serigraph, he usually prints a definite number that he has decided in advance, or an edition of serigraphs. These are duplicates or near duplicates of the same master stencil. There will always be some variation among the prints in any one edition. A print that differs considerably from the other is not included in the signed edition. It may be saved and gain value as a unique print, especially if it is a good one. Occasionally an artist holds on to prints produced during the evolution of the edition. These generally differ somewhat from the edition and are labeled proof prints." 

Silk-Screen Printing for Artists & Craftsmen by MathildaV. Schwalbach & James A. Schwalbach 

For more information and reading:

Print Council of America 
www.printcouncil.org

International Fine Print Dealers Association (ifpda) 
www.printdealers.com/learn.cfm

About Me

My photo
Andis Applewhite
View my complete profile

Websites

  • http://www.greymule.net
  • http://www.andisapplewhite.com
  • http://www.printmattershouston.org
  • http://www.washingtonprintmakers.com
  • http://dcimprint.wordpress.com
  • http://www.laprintmakers.com
  • http://www.caprintmakers.org

Cal Applewhite

  • http://calapplewhite.blogspot.com

Favorite Museums

  • the McNay
  • The Menil Collection
  • The Phillips Collection

Blog Archive

  • ▼  2022 (6)
    • ▼  March (6)
      • In Repose, 2021, Woodcut and ukiyo-e woodblock pri...
      • Untitled 1, 2021, Monotype, 9”x 7”
      • Untitled 1, 2018, Woodcut
      • Untitled, 2018, Woodcut, 11”x 15”
      • We Are Still The People, 2018, Woodcut w/charcoal
      • Untitled 2, 2019, Woodcut
  • ►  2018 (3)
    • ►  September (2)
    • ►  August (1)
  • ►  2017 (1)
    • ►  July (1)
  • ►  2016 (3)
    • ►  August (3)
  • ►  2015 (5)
    • ►  August (1)
    • ►  May (2)
    • ►  April (2)
  • ►  2013 (1)
    • ►  April (1)
  • ►  2012 (4)
    • ►  October (1)
    • ►  September (1)
    • ►  August (2)
  • ►  2011 (8)
    • ►  December (2)
    • ►  July (3)
    • ►  June (2)
    • ►  April (1)
  • ►  2010 (11)
    • ►  November (2)
    • ►  September (3)
    • ►  August (4)
    • ►  March (2)
  • ►  2009 (4)
    • ►  October (2)
    • ►  June (1)
    • ►  March (1)
  • ►  2008 (8)
    • ►  September (1)
    • ►  July (1)
    • ►  June (6)
  • ►  2007 (9)
    • ►  April (8)
    • ►  March (1)